I am a writer/director living in Los Angeles. My film The Big Deal won the Imagen Award for Best Theatrical Short. Currently working on pre-production for my short films, developing a feature and writing a memoir.
Tuesday was my last day of the master class.WOW, that was intense but I made it. I am
proud of myself; I held my own against a talented group of actors. Everyone
brought their game, the performances were phenomenal and Judith’s lessons are
not just for the screen and stage but for life.
Judith Weston is the best teacher I’ve ever had, every time
I take a class with her, I manage to elevate my craft to a new level.I would urge anyone who has the opportunity
to study with her, even if it’s just a weekend workshop to take advantage of
it.
I'm very happy these days but I think that in order to feel "normal" I need something to worry about. I'm having too much fun in he improv class, so I decided to torture myself in a healthy way (I have made a lot of progress in my 6 years in therapy) and enroll in a scene study/master class.
It's been a while since I've taken a class with Judith, this will give me a chance to delve into script analysis, do character work and give me the right amount of anxiety. The classes themselves are hard for me because Judith really pushes you to challenge yourself and work from a place of truth. I am taking the Woody Allen master class. The material is funny because it comes from a dark place. I know that Judith will push me out of my comfort zone to get an honest performance out of me and by the end of the class I will be a stronger and more confident director.
I've been a little busy living life and this blog tends to pay for it.
I am still in preproduction for Ghooooul! I need to shoot it in January because I want to submit to the Viscera Film Festival and the deadline is February 28. My bosses were extremely generous and gave me the gift of cash for Christmas which will all go towards making the film.
Speaking of deadlines, I have a big one coming up January 7th, 2013. At the end of 2010, I was planning on applying to AFI's Women Director's Workshop. I chickened out and didn't bother applying in 2011 or 2012. Over the last two years I've seen some of the films that have come out of the program and I am proud to have enough confidence to say I can do that.
I would LOVE to participate in the program. I didn't go to film school and this would be an opportunity to immerse myself in a classroom environment and develop my script. After three weeks in the program, you go into pre-production and then shoot your film in an environment that mimics a studio production. All your locations are permitted. You get at least one if not two and in some cases four producers! Every position will have at least one crew member. This will be challenging for me because I've only worked with small crews where each person does at least three jobs and by the time the film is done I've done at least ten.
It's pretty stiff competition, they only select 8 women per year. I am an optimist and if I don't get in, my goal is to shoot the film and apply next year. Like the Aaliyah song says "If at first you don't succeed, dust your self off and try again".
I just completed week two of improv 101 at Upright Citizens Brigade. Yes, ME! Improv has been at the bottom of the bucket list because I didn't think I'd ever have the guts to do it. Many of my talented actor friends (my sister included) are petrified of it. I have a yearly goal to do at least one thing that will get me a step closer to fearless. In November I was still looking to get my fearless on and improv won. Everyone was surprised that I would try something so "not Lucy" because I'm too much of a control freak and improv is so improvised!
From the moment I signed up for the class I decided to surrender to the yes and not be afraid to make a fool of myself. Lucky for me, most of my classmates are not actors and the few actors in the workshop are good actors. Everyone is open and generous. Thank god we don't have any hijackers. I will write more about this, I go back to class on January 3rd.
As the year comes to an end, I sit in my living room in my cat pajamas. I needed a break from writing my script so I decided to write this entry. Matt was nice enough to walk over to Cheese Cake Factory and pick up dinner. He's in the bedroom playing with the Guitarsmith I got him last Christmas. In a bit we will eat dinner and ring in the new year watching In the Mood for Love or The Twilight Zone marathon. I'm grateful for all the great things 2012 brought me and I'm looking forward to all the changes 2013 will bring my way.
xoxo,
Lucy
ps
I'm not a cat person but I love PJ Salvage pajamas and in my defense they were on sale for $20 and I could have sworn they were tigers.
I can’t believe
I have not posted since May! Why the silence? I got depressed. Why? Someone who
loved my script for Alone promised me
$$$$ (we are talking the almost 20k) the film would cost. Then said person got
laid off from their lucrative job and before I could get my hands on the check
the money was gone. I wanted to shoot the film this year, I contemplated a
Kickstarter campaign but I don’t have the resources to raise more than 5k on
that platform. So I put it aside, I decided to take a break.
During my hiatus
from filmmaking and fundraising I attended The Viscera Film Festival in early
July. This is one of the most inspiring filmmaking events I’ve attended in the
last 10 years of La La Land living. It’s a horror film festival of films
directed by women. Unlike every festival I’ve been to, Viscera’s audience was
comprised of mostly fans of the genre.Fans, as in your future audience, as in, these people will support your
work because they are loyal to the genre and if your work is good, will be
loyal to you. It is these fans that will ensure that your horror film will make
its money back and enable you to keep working.
The festival
lineup showcased a wide range of films from all over the world. It was
liberating to attend a festival where the work on the screen was fun to watch.
I’ve always been
a big fan of horror because there’s nothing better than having a good scare in
the comfort of a safe environment. I’ve always wanted to make a horror film. My
first feature The Brown Widow will be
a horror movie so why wait until then?
I was going to make a short version of The
Brown Widow but decided to write something different, something simpler but
gory that I can shoot in one day because this will again, need to be financed
by me! I came up with GHOOOOOOOUL! a
slasher film about a young girl in peril who turns the tables on her abuser.
Very similar in theme to “Alone” but a completely different story. Did I
mention there will be blood and maybe body parts flying around.
My goal is to approach
this as guerilla filmmaking 101; smaller crew, 2 non union actors, budget of
$1,000 and I will have fun making this one. Once I’ve liberated myself from
unions, insurance and location fees, a lot of the pressures that have plagued
me as a writer/director/producer will be off. All I need to worry about is
getting good performances out of my actors, providing an excellent meal for my
cast & crew and convincing my professional friends to give me a day of free
work!
GHOOOOOOOUL! goes into production in mid October.
Become a
friend/supporter of the Viscera Film Festival
I meant to post this when the GIRLS backlash was in
full swing but I did not want to add to the ugliness that was going on. It’s one thing to voice an opinion but it’s another to totally bash
one show and the young woman behind it when there are so many other shows doing
the same or not doing enough of what GIRLS is being crucified for or expected
to do.
Girls should be commended for:
1.Young
woman in charge of running her own show – This is a huge deal and hopefully
other women will be given similar opportunities (I hope)
2.All
around good acting
3.Good
directing
4.At
least these daughters of privilege are good actresses and did not take the
route of talentless/lazy daughters of wealth/privilege who are famous because their dad is/was
a prominent this or that.
5.I
will tune in to the next three episodes and hope it gets better. I don’t have time to watch TV and I don’t give
a show more than one episode to impress me. After ten minutes of Eastbound & Down I
knew I’d never watch that show again. I tend to be more patient with shows
created by women – as a viewer and a woman that’s my choice.
My gripes with the first episode:
1.Unlikeable
characters.
2.Don’tknockSex and the City because without its success, I highly doubt that HBO
would have taken a chance on Girls.
3.Throwing
a tantrum because your parents won’t fund your lifestyle? In this economy? On
college professor salaries? – Well, see # 1.
4.I’m
going to assume that there are people of color still living in Brooklyn BUT, I
will not leave it up to this show to be the one to correct that. I feel that
the backlash specifically directed at this show has been a bit on the misogynistic
side.
Update:
I’m glad I stuck with it because with the
progression of each episode, I’ve enjoyed the show more and more. Maybe if the
show would have used the 2nd episode as the pilot, the backlash
would not be as horrible as it was. I feel that Hanna’s behavior and
entitlement on that first episode turned a lot of people off.
I know the race issue is what a lot of people were bitching about but don't blame the show or its creator. Give her credit for the fact that she made a feature film when she was in her early twenties - it was that film that got her the HBO show. Some of you will say that it was privilege that allowed her to make her film and you are probably right but I don't hear anybody condeming Jason Reitman's success.
Jemima Kirke (who plays my favorite character on
theshow) was recently interviewed by NY
Magazine and asked about the lack of diversity on the show;
“How do you react
to the criticism that the show doesn’t have people of color?
[Nods in agreement.] I know.
And that it’s this
rarefied white hipster chronicle?
I mean, I kind of get it. I get it. I totally get it. It’s true, this isn’t
every girl. This isn’t … the title is misleading because it’s not all
girls. This is a very specific demographic. You know, we’re not talking about
girls living in projects, which there are millions. We’re not talking about,
you know, girls who live on the Upper East Side with, like, loaded parents who
have no idea how to leave home. You know? There are all kinds, and we’re just a
very specific … We’re not the average. So I get it. I don’t think there’s any
sense in getting mad at it; it’s just a show. It’s just a show about this type
of girl. And I think when it claims to be something else, it’s a mistake, but
that’s what it is.”
I’m sure a lot of
people cringed at some of her responses but at least she’s honest and doesn’t
sound like she’s full of BS.
Read the rest of the
article below and if you wrote the show off on the merits of the first episode,
give it a shot – it’s pretty good.
On Saturday, March 10th, 2012 The Big Deal
shared the screen with some amazing films at The San Diego Latino Film
Festival. The film was programmed under the Cine Mujer Shorts Program –
films about women or the experiences of women.
Matt and I spent the
weekend at the festival and had a great time watching films and enjoying the
festivities. Lisa Franek, Ethan Van Thillo and the rest of the staff
did a great job organizing the event.
Below is a list of
films and filmmakers that attended the screening and took part in the Q&A.
Thanks to Teri for covering this wonderful event on her blog - below is a link to her post about the Boyle Heights Latina Independent Film Extravaganza.
